狗吠火車嗎 (一)

這是 Tutti Celli ( volume9, issue4...在 www.cello.org 看得到) 裡面,

大提琴家 Alban Gerhardt 的訪談



講到他的第二個老師如何幫他重新打好基礎.不知道我們這裡的

罐頭工廠音樂班,甚至許多在音樂班之外教琴的人,會像這樣幫助小朋友嗎?



I began my studies with Nyikos when I was twelve years old.

I had already been playing difficult repertoire when we first met,

like the Haydn C Major and the Arpeggione Sonata,

but I was at a technical dead-end,

so he had me start over from the very beginning.

I played on open strings and did rudimentary finger exercises

for over a year, never playing a single piece.



When I finally began playing music, he would break it down

and help me plan every motion,

i.e. every bow stroke and left hand/arm motion.





After studying with him for awhile,

my friends began telling me how talented I was,

but my sudden improvement wasn't due to talent,

I was just incredibly lucky to have Nyikos as my teacher.

He was perhaps my most important teacher because

he established a technical foundation that didn't

hold me back later in life.

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• 留言者: einlike
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• 日期: 2006-06-22 10:53:42

不只是音樂!

其實學什麼都是這種狀況~

有時候我常常在想,我是自己的老師~

我也是自己的學生,

我不該放縱自己在學習路中,成為一個趨

勢的學習人!

未來需要什麼便去學習什麼,動機似乎很

罐頭!到底是要pass;還是要學?

在急什麼?忽略了什麼?...hmy