He sought to be himself
and yet achieved his greatness precisely in being himself
while observing the conventions which he imposed upon himself.
We must be aware of both these elements together.
Mozart’s music always sounds unburdened, effortless, and light.
This is why it unburdens, releases, and liberates us.
…….this ever-present lightness possesses something very demanding, disturbing,
almost provocative, even in the most radiant, most childlike, most joyful movements. If one cannot sense this, then indeed one cannot experience release from listening to Mozart……
It is indeed true, as I found it happily expressed recently,
“His gravity soars and his lightness is infinitely grave.”
I wonder whether one could say quite the same thing of any other musician—
indeed, everything considered, must say this?
In any case, Mozart’s specific genius might be associated also
with this paradox---except that in him it is not a paradox.
- 留言者: Cindy
- Email: tinycindy@gmail.com
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- 日期: 2009-12-02 22:19:10
樂就是音樂本身的韻律，沒有作者太多附加的情感，就是一種流暢感，我想應該跟他個人的成長，生活經驗
都有關係，很自然的成為他自己這件事。
- 留言者: Cindy
- Email: tinycindy@gmail.com
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- 日期: 2009-12-07 23:18:46
而不是不帶情感的音樂
要說恰如其份，不過每個人的恰如其份，或許多少都有點不一樣。
另外一種想法，莫札特讓聽者有比較多個人的想像空間。
- 留言者: Cindy
- Email: tinycindy@gmail.com
- 網址:
- 日期: 2009-12-17 21:14:32
- 留言者: EINLIKE
- Email:
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- 日期: 2009-12-18 00:05:10
而那份情感,源自自己內心最在乎的,甚至達到潛意識...
自從看了這幾篇mozart,我也開始去聽...
我有時候會想,當她碰到一些事情時,他會怎樣看待?
他的音樂跟他性情令我蠻好奇的,她遭遇了些什麼.
Mozart 生活中常常掙扎, 最後幾年尤其如此
可是他的作品非常均衡, 幾乎像是經由生活的掙扎中提煉出來的
其實我比較不認為 Mozart "沒有附加情感" 在作品裡面,
反而我在他的作品裡處處聽到他的情感....
(這篇附加的小提琴奏鳴曲錄音, 可以聽到 Mozart 翻了不少觔斗; Lacrimosa 裡面那淚水澘然而下更是栩栩如生)
然而由於他創作總是恰如其分, 沒有濫情,
對於很習慣搧情濫情灑狗血的現代人而言, 反倒只是注意到他作品流暢自然渾然天成的部份